[SPOILER ALERT] The Voices [SPOILER ALERT]
It’s day eight of the Horror Movie Marathon! Today we’re going for something completely different and taking a chance on the “horror-comedy” genre. The description of this movie promises Ryan Reynolds, Anna Kendrick and evil talking pets. How could that possibly go wrong?!
The Voices is rated R and is available on Hulu. At the time of our viewing, it has the following online ratings:
Rotten Tomatoes 73% critics, 56% audience
It’s lunchtime on yet another overcast fall day. We’re getting desperate for some sunshine! We both take notes throughout the movie. Afterward, we conduct a simultaneous interview/discussion via Google Docs.
Solee: This movie starts out with a song montage as the opening credits roll. Did you consider this a good or bad sign?
Mikey: Oh… I’ll say it’s a good sign. I think. It doesn’t scare me off! I bet you think it’s a good sign.
Solee: Absolutely. It speaks to the movie not taking itself too seriously. That’s very important for comedy. There are too many movies that call themselves “comedy” and then it turns out they are really depressing dramas with one gimmicky character.
Mikey: Yeah. Those can be good, but I do think “comedy” gets thrown around an awful lot with things that don’t even try to be funny. This is clearly a horror-comedy, and I think it rides that line very directly down the middle. What do you think?
Solee: I agree. I was leary because I’ve seen other “horror-comedy” labels misused. This one was the perfect combination. It was surprisingly gory, but in a way that actually made me laugh out loud in several places. I think Ryan Reynolds was a smart choice for Jerry. He has an extremely expressive face, able to go from wide-eyed innocence and charm to seriously disturbing quite quickly and that helped the movie ride that line.
As advertised, he had a couple of talking pets. Do you think those voices were well chosen?
Mikey: I assume they were voiced by Ryan Reynolds… maybe those are the two voices he can do?
Solee: Oh, I hadn’t thought about that possibility. Interesting.
Mikey: Ah, a quick IMDB check verifies he also voiced the deer (of course). They were good. Well, the cat was. The dog was weird.
Solee: Why did the cat have an Irish accent?
Mikey: Because Ryan Reynolds knew how to do that accent! That’s my theory. You have a better idea?
Solee: No… For a little why I thought his father sounded a bit like that, but it was more about the word choice than an actual accent. So, I’m sure you’re right and I’m a little disappointed it’s not something more meaningful.
Mikey: I’m sorry, I crush dreams. But… I gave you Spike in Shadow Puppets, and now Ryan Reynolds in The Voices. It seems I’m catering to you in order to keep you willing to watch scary movies with me all month!
Solee: I’m not going to tell you to stop finding movies that star my TV boyfriends, but you don’t really have to bribe me. I’m in it for the long haul. I’ll try to find something with a hottie for you next.
Mikey: Men aren’t so superficial. I’m in it for the story.
Solee: coughBullshitcough Getting back on topic, what did you think of the visual and sound choices of the movie?
Mikey: This was certainly a colorful movie, and unexpectedly full of musical numbers (well, it wasn’t full of them, but more than I’d expect!). I like it. I think it dips into the same sort of manic realm that our last movie, Holidays, did – this sort of crazy energy that only horror movies are really allowed to have. Well, I guess Amelie did it too. But there’s just this kind of absurdist knowingly-silly style that is a fun thing horror can do, which is kind of illegal in other genres, it’s too ‘fake’. Does that make sense?
Solee: Yes. I think maybe going to absurd extremes is one of the ways we make the horror genre “socially acceptable”. People will watch really horrible movies that make no sense in the real world, but complain that shows like Law & Order or Criminal Minds are too violent. I think the difference is that the more realistic stuff reminds us that people can be incredibly horrific in real life.
Mikey: Sure… I think you could see in Holidays some of that, like in the Halloween segment – there wasn’t anything really funny there, but it was done sort of comedically, not so much to soften the blow of the awful events, but more to remove them from reality. You can see it as a cartoon. Realistic stuff can be hard to take, and I think a lot of “true horror fans” don’t like it because they’re in it for the goofy cartoon blood and splatter.
But let’s get back to this movie! Speaking of realism, is it pathetic or scary that I identify very strongly with the main character of this movie? I think I always do when the serial killer loner guy is awkward and socially incapable. It’s about that, not the killing, I swear!
Solee: I was wondering about that. He seems like the kind of guy you’d relate to. Charming, but not at all sure of his own impact on other people and slightly oblivious to the social norms of the situation. I don’t think those are innately dangerous or pathetic traits. In fact, people who are too sure of themselves turn me off, big time. I’m glad you’re not relating to the murdery bits, though.
I related to his discussion with the psychotherapist regarding his drugs. He clearly feels that giving up the “very high” moments of his life in order to prevent the “very low” moments isn’t worth it. He’s not happy with the steady middle. I understand how he feels about that and it makes me wonder… is it possible to be self-aware enough to know when you’ve reached the kind of lows that make those highs no longer worth it?
Mikey: Hmm. If you are that low, you probably are ready to take medication, since it seems like everything is awful, right? So it kind of works out. Maybe. Of course, by then it could be too late, if you have real problems. Brains are complicated.
Solee: He seemed to be at the point where the lows were too dangerously disconnected for him to recognize that they required meds. In fact, he was so delusional during the lows that they appeared much better than reality to him. I guess I should be asking… do our animals ever talk to you?
Mikey: Huzzah does constantly. But I’ve seen you hear it too, so it’s cool. In fact, it wakes us both up. A lot. Wait, do they talk to you?
Solee: Uhhhhhh. Noooo…? New subject! Do you think Lisa was foolish or naive for not seeing through Jerry’s strangeness to the scary? Or was she just being the sort of trusting and kind we all are until we have reason to be otherwise?
Mikey: Hey, I talked about that on an earlier movie! I think this is more of a crush thing… if you think somebody is cool, you don’t really notice weirdness so much. She thought he was deep.
Solee: Or you put it down to your own awkwardness!
Mikey: Yes, that! Okay, so as the latest conversation has shown us, this movie is all about mental illness. What do you think about that? I mean, it’s certainly light-hearted and funny, but we’re talking about something really serious (he kills people!).
Solee: I actually thought it was a very clever way to get people thinking about really serious topics. The conversation he has with the dog (who said he was a “good boy”), Fiona’s head (who said he was bad), and the cat (who said he simply was what he was) was quite profound. That’s not only a question that has been applied to humanity since we were aware enough to be called humanity, but it’s also particularly difficult to answer in this case. He wanted to be a good boy. But the convergence of his genetic predispositions, the events of his formative years and sheer bad luck all boxed him into some pretty horrible behavior. This is one of the things our legal system struggles with, isn’t it? Really it’s at the heart of lots of issues… gun control, for one.
Mikey: It is sure complicated. People are! I wonder though, anytime you make a joke about something, there’s a group who jumps down your throat. You think mental health advocates were out there boycotting this movie? Or would they have the appreciation you do for bringing up the issues?
Solee: I’m sure there were people on both sides. There are definitely a large number of people who don’t think humor is an appropriate way to deal with big, bad things. I am not one of them. I think the more we can laugh together, the more likely we are to be able to actually talk about things. Shared humor opens channels of communication.
Mikey: I agree, I don’t think any topic is off-limits for humor. It may not be funny to you, due to your own experiences and life story, but that doesn’t mean people can’t be allowed to joke about it – it means you don’t want to hear the joke! If they’re kind people, they won’t make the joke around you, but that doesn’t mean it can’t be joked about.
Solee: I think the style and intention of the joke come into play here. A joke that makes fun of me for having to wear glasses is very different than a joke that makes fun of the reality of having to wear glasses. Does that make sense?
Mikey: Absolutely. And I don’t think this movie is making fun of anyone, even people who hear voices. Hopefully (I haven’t asked any, I admit), they see it as you just said – a joke about the realities they have to contend with.
Solee: I think Jerry was presented as a very likeable person, actually. Even at the end, after everything he had done, I still felt connected to him. He felt like a protagonist the whole way through. A very flawed protagonist, but a protagonist, nonetheless. That brings me to something I was wondering as we watched. Have you ever seen a movie with such a self-aware “crazy” person? Is that self-awareness part of what made him relatable?
Mikey: (Side note: I checked, and it took some searching but indeed – people were angry. And that’s understandable! I can definitely understand the frustration with the idea that schizophrenia is portrayed as dangerous in all the media always. That is hard.)
I feel like I have seen this done before, but I don’t know if I can name the movie. I think I’ve seen something very similar in that respect. I wish I could name it because it’s right on the tip of my cerebellum.
I think it’s more of a writing trick – he’s just a nice guy, in every scene, even the ones where he is killing someone. Pretty easy way to make you like him! Kind of cheating, really.
Lemme ask you, speaking of writing tricks: a major element of this movie is the unreliable narrator. We never really knew how it was going to turn out, not just for the usual story reasons, but also because we couldn’t even trust what we were seeing. The movie showed us things from Jerry’s perspective, and it was only through occasional glimpses from another character, or the one time he takes his medication, that we see what things really look like. How do you feel about that particular trick?
Solee: Personally, I really like it. I like the extra effort it takes to follow the story and really understand what’s going on. I think in a visual medium like this it’s easier than in a written format, for sure. I enjoyed that element of “Wait… is this really happening?” that followed me throughout the story. Often it was easy to tell what was really happening, but other times I was really left wondering. For example, the deaths of Fiona and Lisa are portrayed as accidents (although less so with Lisa, now that I think about it). Do you think they were really accidents? Or do you agree with the cat that he meant to kill them all along?
Mikey: That’s one of my favorite things in movies! Thinking later not so much about what things meant or what themes underlie them, but actually trying to understand what you saw! That kind of sounds bad, but depending on the situation it can be very very good. And indeed, we are left in this movie with no real proof that he didn’t just viciously murder these women in a calculated way, and it was just portrayed to us (through the Jerry Filter) as an attempt at being friendly that went wrong. Interpretation is fun. I’m not sure of the correct interpretation, really. My guess is that in this movie, they meant those things to have occurred as we saw them, but that’s not as interesting as what I imagine. What if none of it was like we saw? What if Lisa was never interested in him, and Fiona never reluctantly went out with him – that could all have been catching them somewhere and kidnapping them and murdering them. He just doesn’t know it, so we don’t know it.
Solee: Hinting at that would have made him much less likeable. It would have changed the whole feel of the movie, that’s for sure. I suspect there was some element of that, though. The patterns that are established in our childhood follow us a long way down the paths of our lives. I like to think that he felt he was “helping” them, just as he did for his mother. At one point he says to the cat, “The only time I ever felt truly alive…” He trails off and we assume he means when he killed Fiona, but what it it was when he “saved” his mother? And if he has to set the stage for them to need his help… well, that makes for a good story, no?
Mikey: I noticed him trailing off too! You’re making me think I liked this movie even more than I thought I did. There’s a lot going on under the surface! Buuuutt… speaking of how much I liked it and how long we’ve been chatting, I think we need to wrap this up. What’s your rating for The Voices?
Solee: It had ALL the elements that make for my kind of scary movie: singing, Ryan Reynolds, clever plot twists, brain stuff, and something to think about for days later. I give this my very first 5 out of 5. I liked it so much I’m willing to forgive the couple of parts that were gross enough to make me turn away. What about you? How do you rate it?
Mikey: I don’t think singing or Ryan Reynolds enter into my calculations for scary movies (nor does a complete absence of scares like this movie offered), but I do always enjoy musical bits in movies, and I do like Ryan Reynolds. I’m going to give this 4.5 out of 5. It needs to twang my psychological confusion a little harder for that last half point.
Solee: And one final question… are we the only people on the planet who don’t know how to pick locks?? I think we need to take a class or something.
Mikey: Oh, you don’t know how? Hmm.
Solee: Very funny, Mr. Hommel. I’ll meet you back here tomorrow to discuss our next movie! We’re going old school with The Legend of Hell House, a movie from 1973.
*If you have comments to leave specifically for Mikey, you can see this same interview/discussion posted here, on his website.